2021 Candidate Q&A

 

President-Elect

Gail Chianese

Secretary

C. Chilove

Director-at-Large

Veronica Forand
Marian H. Griffin
Mary Karlik
Jacki Renee
Elizabeth Schechter

PAN Advisor

Nancy C. Weeks

 

President-Elect

Gail Chianese

Gail Chianese

Gail Chianese joined RWA in 2010. At the chapter level, she’s a two-term past President, Vice President of Programming, Conference Chair, Bylaws Committee member, and Member-at-Large, At the national level, Gail has served on the RWA ad-hoc committee and two years as the RWA Conference Workshop Committee Chair during a pandemic, earning her the 2021 RWA Service Award. She attributes her ability to get stuff done under pressure to her years as a Navy wife (more than she’d like to admit) and being the mom of three. She is a hybrid author of contemporary, romantic suspense and women’s fiction.

Please tell us a little bit about your career as a writer.

I've been a member of RWA for 11 years and was first published traditionally in 2015 writing contemporary romance. Since then, I've also published with a book club publisher in women't fiction. Currently, I am indie publishing, as it fits my life better at the moment, in romantic suspense. All three have been great paths, teaching me so much about the writing industry. I've written/published 8 full-length romances, 3 romance novellas, and 4 women's fiction with hopefully a lot more to come.


Please share your involvement and experience as a member of RWA.

In 2010, I joined RWA and Connecticut RWA after attending a reader convention and talking to several authors. I knew I wanted to write, had started a book, but had no clue where to go from there. I'm so thankful those amazing authors steered me to RWA as I've learned more than I could ever imagine and met the best people. I wouldn't be published without RWA and members, which is why I have gotten involved both on the chapter and national level from the start...to pay it all back. To show my thanks. On the chapter level, I've been involved with our critique group and mentorship programs, first as a member, then as the "chair." I've also served as the chapter conference chair, helped with our chapter "college", and served on the board as VP of Programming and two years as President. Currently, I'm the chapter Member- at-Large. On the national level, I started with my first conference (having been a member for a whopping 2 months) as a workshop moderator, and book signing volunteer. I've continued to do that every year adding a few more roles. I've also served on an ad-hoc committee dealing with the website revamp, and for the past two years have served as your conference (and retreat) workshop chair.


Please share any additional outside experience that you might bring to the RWA Board.

Over the past XX (too many to admit) years, I've worked a variety of jobs from retail to executive secretary to travel agent and debt collector to an online repository for academic research. I've worked for the lowest job on the list to management and the one thing I know for sure is there is no "small" job. Everyone contributes. Everyone matters. I also spent over 25 years as a Navy wife managing the home, finances, moves (domestically and internationally) and family. This role taught me how to be flexible and to roll with the punches, as well as pivot on a dime when needed. All great skills that I feel will benefit the RWA board.


What is your vision for the romance industry?

Ideally, I’d love to see Romance get an equal seat at the table with other genres in the terms of respect. Romance writers work hard to create their stories, constantly improving their craft, as well as mastering other aspects of the publishing industry and we deserve to be treated as professionals.


What is your vision for RWA?

For writers and industry professionals to see us as an inclusive, professional organization that fights for and stands up for its members, while offering educational and networking opportunities. To bring our authors together as one community so that we can be a powerhouse standing behind the romance writer.


How do you see yourself helping to implement these ideas and changes?

In order to get respect from others, we must first give respect to each other. We do that by supporting each other, by standing up for each other and by being kind. I will lead by example. On social media, I will continue to support my fellow romance authors. I will look to see how we can educate non-romance readers and authors as to what romance books are really about — yes, love, but also building relationships, overcoming obstacles, and learning and growing from past mistakes (possibly through outreach to university creative writing programs, and various media outlets, as well as seeing how we can work with other writing organizations). Some programs might already be in motion that I’m not aware of. If they are, I will fully support them. For RWA, I will continue to support our efforts to educate our members on the importance of inclusivity. I welcome all writers who want to pursue this crazy career regardless of sex, race, religion, or other. I welcome writers of all levels from the brand new to the experiences, as we all have something to contribute and are all of value. I’d love to see what kind of programs we currently have going to expand our membership (both through the National level and local levels) and then brainstorm with others how we can improve on those programs. If you have ideas, I’d love to hear them because the board alone can not think of everything.


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Secretary

C. Chilove

C. Chilove

C. Chilove is the former CIMRWA President. She writes sexy, thought-provoking romance that explores the human condition while proving love transcends societal clichés. Her characters are strong, witty, and prove that diversity is beautiful. When she's not writing, she's living out her personal happily-ever-after by rockin’ the stands for her Volleyball star, cheering on her future MLB slugger, or celebrating date night with her hubby.

Please tell us a little bit about your career as a writer.

I’ve been a member of RWA since 2013. I became published in 2016 with the Wild Rose Press. I released my first Romantic Suspense series with Entangled Publishing in 2021. I have an upcoming Romance/Women's Fiction series with Grand Central. Beyond serving as a Board Member for RWA, I am affiliated with the CIMRWA and Kiss of Death chapters.


Please share your involvement and experience as a member of RWA.

I have served on various boards and committees at the chapter level since 2014. I’ve served as a Contest Category Coordinator for TARA, President for CIMRWA, Committee Member for the Leadership Development Committee, Presenter for 2019 RITA Ceremony, and judged the RITA’s. My most important accomplishment is having the opportunity to attend RWA Diversity Summits as an Advocate for authors from historically underrepresented/marginalized populations. I have served as Board Secretary the last 1.5 years. In that capacity, I served as the lead to revamp the Code of Ethics and Diversity Task Force chair.


Please share any additional outside experience that you might bring to the RWA Board.

My passion for Diversity, Outreach, Inclusion, and Access extends beyond RWA. This is a field I have worked in as a professional for the last 15+ years. If allowed the opportunity to serve as Secretary, I will leverage my professional experience to assist the board with developing and implementing initiatives that address Diversity concerns along with the objectives outlined within the Strategic Plan. Additionally, my formal education includes advanced degrees in Business & Organizational Behavior.


What is your vision for the romance industry?

To have the genre pioneer how all of publishing should uphold diversity, equity, and inclusion


What is your vision for RWA?

To be a Trailblazer for creating safe and bold spaces for all authors to share their voices and experiences. To build a bridge that leads to opportunity and development of stories featuring #OWNVoices. To advocate for authors while providing education and training that betters the genre.


How do you see yourself helping to implement these ideas and changes?

By serving to create awareness and educate our members.

 

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Director-at-Large


Veronica Forand

Veronica Forand

Veronica Forand is a novelist and an attorney. She's won the Golden Pen Award for Romantic Suspense, the Bookseller's Best in Romantic Suspense, finaled six books and manuscripts in the Daphne du Maurier Contest for Excellence in Suspense, and was chosen a Top Ten Finalist out of over thirty thousand entries in the James Patterson Co-Author Competition.

She and her dog Max work with Greater Philadelphia Search and Rescue. In her down time, she prefers mountains to beaches and quiet cafes to concerts.

Please tell us a little bit about your career as a writer.

I'm a novelist and an attorney. I've won the Golden Pen Award for Romantic Suspense, the Bookseller's Best in Romantic Suspense, finaled six books and manuscripts in the Daphne du Maurier Contest for Excellence in Suspense, and was chosen a Top Ten Finalist in the James Patterson Co-Author Competition.


Please share your involvement and experience as a member of RWA.

I was elected to the Board of Directors in March 2020 and joined the Board again in 2021. I have been Vice President of Washington Romance Writers, Secretary of the Contemporary Romance Chapter, served on the contest committees of the Kiss of Death Chapter and the Valley Forge Romance Writers. Most important, I found my agent, my editors, and my tribe through RWA and am forever grateful.


Please share any additional outside experience that you might bring to the RWA Board.

I am an attorney with a background in international corporate tax.


What is your vision for the romance industry?

There is so much uncertainty in the world today. People are worried about their health, their loved ones, the environment, and the economy. Romance offers an escape, a guaranteed HEA. Yet, one size doesn't fit all. But without money invested in authors writing something out of the mainstream, the publishing world stifles unique voices. Publishers using their economic weight to support marginalized authors will do far more than Twitter pitch campaigns resulting in limited signing opportunities and lower advances.


What is your vision for RWA?

As publishers consolidate through mergers and retailers become publishers themselves, authors, both indie and traditionally published, need solid representation in this industry. RWA has an opportunity to regroup and reset the atmosphere for romance writers. Often maligned, the authors who write romance need an association that is professional, that speaks to all writers, elevates their craft, and promotes their interests. RWA needs to expand its table to include those authors who had been sidelined in the past.


How do you see yourself helping to implement these ideas and changes?

I want to help new authors have the assistance they need to write their novel and sell it in a way that works for their goals. I want to support veteran authors in an industry that often squeezes authors' income to increase corporate profits. I want to encourage marginalized authors to find their tribe with RWA, and all romance authors to recognize that diversity in romance benefits everyone, by lifting the genre, creating new economic opportunities, and proving that love wins over hate.

 

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Marian H. Griffin

Marian H. Griffin

Marian H. Griffin won a cursive writing contest in elementary school and was insulted that the story she wrote didn't even get mentioned. She has written everything she can think of ever since. Her romance writing started in college while working on her Masters of Library Science degree. During one semester she assisted setting up a new library by cataloguing over 500 romance donations during the height of the "ripped bodice" covers. The teasing prodded her to read a few...and the rest is, well, it just is!

She has nine erotic novellas and four contemporaries self-published.

Please tell us a little bit about your career as a writer.

I was amazed when I discovered I could write a story. It took me places I imagined and places I never imagined. I write romance because of my belief in the HEA. I am inspired by the differences of living as a LBGTQ person in a heterosexual world and have several M/M novellas self-published and one M/M/F novella set in the Civil War era. But I have many interests and am working on three full-length romance series: a Regency, a contemporary, and a humorous contemporary ghost story.


Please share your involvement and experience as a member of RWA.

I attended a day-long seminar for writing romance back in 1999 and I was hooked. I joined the SpaceCoast Authors of Romance (STAR) and RWA. I was unhappy when the chapter left RWA and I am one of the few who remains a member of the national organization. I was President of STAR for two years and loved it. The RWA National Conferences that I attended were some of the best times I’ve had. Until we, once again, conference face-to-face, I’m eager to keep my hand in at the national level and help the membership move forward from here.

In addition to being President of STAR for two consecutive terms, I was Secretary for two years and was elected PRO Liaison for a year and PAN Liaison for the next two years.


Please share any additional outside experience that you might bring to the RWA Board.

Before retiring after 32 years with the Brevard County Libraries, I used my Bachelors of Broadcasting degree to work in a production studio then a local television station. My job there was to know who and what we needed and how we would get there on a daily basis.

After the television station was sold, I was hired by the County as a Reference Librarian and proceeded up the ladder to Area Director which put me in charge of seven of Brevard’s thirteen libraries. This was the best position for me because I acted as a liaison between library staff, library patrons, and library administration.

I learned to organize. I learned what questions to ask, how to answer difficult questions, how to compromise on actions to take, and how to take direction even when I don’t agree.

Florida STAR has become Florida Star Fiction Writers, a local general fiction writing organization. I am the Chair of the FSFW Conference Committee with our first conference scheduled for March, 2022. All my experience has given me the skills to organize and get things done.


What is your vision for the romance industry?

For the Romance Industry as a whole, I envision great stories, excellent writing, and knock-out sales! Who could ask for more? To achieve this we need to study and learn what makes a story great, what excellent writing is, and how to best market our product.


What is your vision for RWA?

Education! From formatting a manuscript, to proper grammar and spelling, to incorporating the best research, to good storytelling. Happy and successful authors need to accomplish a lot to meet the challenges of getting and keeping loyal readers.


How do you see yourself helping to implement these ideas and changes?

We have all learned the hard way that we do not need to be face-to-face to learn. I would propose that RWA offers its members an online, in-depth grammar/punctuation/spelling course annually (but no diagramming sentences!) and an online class in simple story structure. We could also build a library of short videos emailed to new members that cover manuscript formatting and using Word, Scrivener, OneNote, Evernote, etc. to organize research and ideas.

 

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Mary Karlik

Mary Karlik

Mary Karlik is a hybrid author with 7 published novels. She has an MFA in Writing Popular Fiction from Seton Hill University, a B.S. degree from Texas A&M University, is a Registered Nurse, and is finishing a degree in Scottish Gaelic from Sabhal Mòr Ostaig in Skye Scotland.

Mary has been a member of RWA since 1996. Has served nationally on the Ethics committee and the Leadership Training Task Force. On the chapter level, she has served as the VP Programs for YARWA (Young Adult Romance Authors), President of YARWA, and is the President of DARA (Dallas Area Romance Authors).

Please tell us a little bit about your career as a writer.

I joined RWA in 1996 but did not publish until 2015 when I indie-released the first novel of my YA series. I released 4 books in that series. In 2017 I signed with a small press. In 2018 the first of two Fantasy romances were released. I am currently writing a new contemporary Romance series set in Scotland.


Please share your involvement and experience as a member of RWA.

I have been active with RWA since I joined in 1996. I have belonged to North Texas RWA, Young Adult RWA, Dallas Area Romance Authors, Land of Enchantment Romance Authors, and Contemporary Romance Authors. Although I may be the slowest learner ever, I don't think I would be published today if not for the education and kinship RWA has offered over the years. I've met my closest friends through RWA, both on the chapter level and national level. Those friendships have given me support and encouragement during the darkest, most tragic times of my life. In 2016 I decided it was time to give back. That year I helped coordinate the YARWA contest for unpublished authors. In 2017 I served as VP of programs for YARWA, and in 2018, I served as President. In 2019 I served on the Ethics committee. In 2020 I served on the Leasdership Training Task Force as well as President-elect of DARA. In August of 2020 I was elected President of DARA and served on the Chapter Leadership Committee.
I am excited to be a part of RWA 2.0 and hope to help guide the organization to its healthy diverse and inclusive potential. That said, I believe there is a communication gap between nationals, the chapters, and members. Whether as a member, chapter leader, or member of the Board of Directors, I intend to work to increase communication.


Please share any additional outside experience that you might bring to the RWA Board.

In my former career, I was the VP of Quality for a small hospital. A big part of that job was reading, writing, and interpreting policies and procedures.


What is your vision for the romance industry?

We are starting to see positive changes in the industry. The industry is moving toward a DEIA, but it is slow. As writers we must advocate for the continued movement for equal space for all. We have had some painful growing pains not only as an orgainization but as an industry. Change is difficult but necessary. I believe that the industry will emerge stronger.


What is your vision for RWA?

The leadership is committed to creating an equitable and inclusive organization. However, there seems to be an incredible amount of pushback. But my hope is that there are enough members who still stand with the leadership to steer the orgainization toward a professional romance writer's organization which will support, teach, and advocate for all writers of the genre.


How do you see yourself helping to implement these ideas and changes?

In an organizaiton this large, there can be a disconnect between members, chapters, and leadership. Communication has improved in the past year, but there is always room to improve. I would like to work with the chapters to ensure the flow of communication continues between the board and chapters. Also, with half of our membership being un-chaptered, I worry that the needs of those members may be missed. I would like to reach out to those members and ideally connect them with a chapter. For those who, for whatever reason, remain without a chapter, I'd like to make sure their voices are being heard.

I would love to see a liason with UK's version of RWA -- Romantic Novelists' Association. In a world in which we have become so accustomed to virtual meetings and conferences, a joint conference would be beneficial to writers on both sides of the pond.

 

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Jacki Renee

Jacki Renée

Jacki Renée is an indie published author who has been a member of RWA since 2015. She is a former President-elect and the past Director of Membership of the Kiss of Death Chapter. She also served as chairperson and co-chair of committees for both KOD and CIMRWA. Jacki is the mother of two adult daughters, also known as her Moon and Sun. She gets her passion for reading romance from her mother, Jackie. When she isn’t writing or reading or volunteering, Jacki cooks, bakes, and sews.



Please tell us a little bit about your career as a writer.

Self-publishing has always been my goal since I decided to take my writing from a hobby as a means of relief from job related stress to a professional career as a romance author. I have published three full length, interracial romantic suspense novels in a planned twelve book series with the fourth book slated to be published this year. In my WIP file are the story ideas for over fifty additional stories in other genres and subgenres both standalones and series.


Please share your involvement and experience as a member of RWA.

I joined RWA in January 2015 after researching resources for writers and found California Dreamin’ Writer’s Conference. Days after attending CDW, I joined my local chapter Los Angeles Romance Authors (LARA) and several online chapters. Volunteering is my superpower, and I used my skills in the following ways: co-coordinate CIMRWA’s Push to Pub program, team leader for KOD’s Book-in-a-Week program, Daphne du Maurier Award for Excellence Contest Coordinator and later a Contest Co-Chairperson, COFFIN Promotions Coordinator for KOD, COFFIN Chairperson, COFFIN Instructor Recruiter, and the Director of Membership for KOD. The last position I held at the chapter level was KOD’s President-Elect. On the national level, I served as a RAMP Mentor. I serve on the Conference Workshop Committee and the Leadership Development Committee. I was appointed to the position of Director-at-Large and I am the Vivian Task Force Chairperson.


Please share any additional outside experience that you might bring to the RWA Board.

A former Quality Assurance Manager, Data Processing Technician, and Program Aide, I have a strong background in business management and operations. I recently went back to school as a marketing major. My ability to prioritize, multitask, and stay organized using a unique model of color-coded calendars and detailed To-Do-Lists are a part of my multiple successful paths.


What is your vision for the romance industry?

My vision for the romance industry is to see marginalized authors flourish in an arena that often stunts the unique voices of diverse authors who write diverse stories and characters.


What is your vision for RWA?

My vision for RWA is to be the professional organization of a diverse community of romance writers where all members have equal access to tools, resources, programming, and networking opportunities to support and advance their writing careers.


How do you see yourself helping to implement these ideas and changes?

Organizational management is my filed of expertise. I will utilize my strong research skills to review, critique, and revise successful models that would be helpful in the implementation of ideas and changes within the RWA organization. My education in the effective use of social media and other communication organs can be used to reach prospective members and promote RWA.

 

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Elizabeth Schechter

Elizabeth Schechter

Elizabeth Schechter has been called one of the top erotica and alternative sexuality writers in the world. Her writing credits include the award-winning steampunk erotic romance House of Sable Locks, the Celtic fantasy Princes of Air, and the ongoing Heir to the Firstborn serial, her first foray into New Adult fantasy. She was born in New York at some point in the past. She is officially old enough to know better, but refuses to grow up. She lives in Central Florida with her husband and son.

Please tell us a little bit about your career as a writer.

I'm the stereotypical "started writing when I could hold a pencil" writer, but I didn't start selling until 2008, when I sold my first short story. I sold my first novel in 2010, and I've been publishing regularly ever since -- novel number 16 comes out in July 2021.


Please share your involvement and experience as a member of RWA.

I've been a member of the RWA since 2011, entering as a PRO member. I'm a member of FFPRWA and Rainbow Romance, and a past member of Passionate Ink and CFRW. I served on CFRW's board, and on the board of FFP. I currently am the social media contact for FFP , and I have been a Director-at-large on the National Board since the interim board of 2019.

I also am the Program manager of Pen to Paper.


Please share any additional outside experience that you might bring to the RWA Board.

I was an educational counselor with an online university. I've owned my own business, and I was a teacher for a time.


What is your vision for the romance industry?

The romance industry is growing at an exponential rate, and it's encompassing more and more things that I'm used to only seeing in fan fiction -- we're seeing romances that represent every nuance of love, from heterosexual monogamy to polyam and everything in between. We're seeing more romances that challenge the status quo, and I'm here for it.

I want to see more romances that push the envelope, that show that love is love and it doesn't matter who you love or how you love. The only thing that matters is that everyone deserves that happily ever after.


What is your vision for RWA?

The RWA has started taking steps toward being a more inclusive, more welcoming environment for all romance writers. Baby steps, to be sure. It takes a lot to undo years of ingrained bias. We've started the job, and we've got a long way to go. My vision for the RWA is for it to become that inclusive, welcoming, safe space for all romance writers, to regain it's place as the powerhouse for romance writing in the industry, to finally divorce itself from the tarnish that was, and become the shining star that it always should have been.


How do you see yourself helping to implement these ideas and changes?

I see myself continuing the job I've started -- working to foster the next generation of romance writers, working to blow down the facade that said romance was only for this select group and no others need apply.

My work here isn't done yet.

 

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PAN Advisor


Nancy C Weeks

Nancy C. Weeks

Nancy C. Weeks has loved happy-ever-after romances since her early teens. She lives in suburban Maryland with her husband of more than thirty years and enjoys spending her days writing suspenseful happily-ever-after adventures outside on the deck as the local bird population keeps her company.

Please tell us a little bit about your career as a writer.

I began writing my first novel at the age fifty-two, the year my youngest child began her senior year in high school. Once I finished the first draft, I did not know what to do next, so I began the second book. A year later, I discovered Romance Writers of America and my fresh path as a career romance writer began. In 2013, I signed my first contract for both books.

Today, I’ve published nine novels, completed the first draft of my tenth novel, and have begun the outline of my eleventh novel. The best part of my career is I still can’t wait to sit down every morning and write. It brings me such joy.


Please share your involvement and experience as a member of RWA.

I’ve been a member of RWA and an active member of my local RWA chapter, Maryland Romance Writers since 2012. I’ve volunteered as Programing chair and PAN Liaison. In October 2020, I was appointed as RWA National board PAN Advisor.


Please share any additional outside experience that you might bring to the RWA Board.

I managed a child development center including establishing and documenting the inaugural operating procedures. I have managed multiple after-school and evening programs for children K-12, including weekly planning activities, managing the budget and ensuring the safety and well-being of the children.

My previous experiences provided me with an appreciation for the benefits and challenges of operating volunteer and non-profit organizations.
I give my time and attention to RWA because I get so much back in return. RWA has been there for me when I needed it.


What is your vision for the romance industry?

Real stories about real people. The romance industry is constantly changing. While change is never easy, it's exciting. This is the time to broaden our audience with inclusive romance novels having characters with different racial, religious, gender, sexuality, and disability narratives.


What is your vision for RWA?

As the PAN Advisor, I hope to continue voicing the suggestions of the PAN members to the board, and working with the board to build RWA into an organization where all of its members can find their place. I also would enjoy continuing the new inclusive Power Up zoom sessions, giving our members a weekly avenue to facilitate professional growth, education, and networking.


How do you see yourself helping to implement these ideas and changes?

Open communication with my fellow board members, and open discussions with fellow members through the Power Up zoom sessions had been amazing. That’s the solution to any problem, a safe environment to voice opinions, and valuable feedback.

 

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